Friday, May 28, 2010

Interview













RIP GARY COLEMAN


I was just interviewed by Dorothy Dreyer for her blog - We Do Write. I enjoyed answering her insightful questions and am looking forward to getting some reader responses either there or here at A Line A Day. Happy reading, happy Memorial Day with much debt and respect owed to those who paid the ultimate sacrifice for our nation, and happy unofficial start of Summer!


Welcome, Roy! Tell us a bit about yourself.

Well, I was born on the idyllic island of St. Thomas and now reside in a quaint New Jersey town where the residents are taxed far too heavily. In between I grew up in the Bronx, NY which is the setting of my debut novel - Patches of Grey. I began working on it while a student at NYU. This doesn’t mean it’s autobiographical, although I have received *side-eyes* regarding a few passages from my siblings (I’m the eldest of 5) who felt they recognized some snatches from our reality. I truthfully plead coincidence. Patches is only autobiographical in the sense that some of the issues it tackles are ones of personal interest to me, ones I’m rather opinionated about. Yet my goal and hopefully achievement was not to write a preachy book that lays out my world view and dictates to readers how they should feel, but rather, to tell an engaging story with issues of social relevance significant to the narrative. When not writing or spending time with my family, helping my daughter grow up into the most amazing person in the world, I’m a big sports fan. The Knicks are my basketball love and the Jets are my football love, so much so that this Caribbean born scribe is willing to endure cold winter days in the Meadowlands watching the latter play. Tennis is my other sports obsession, although I’d rather be out on the court than watching. My game has a long way to go, but that’s okay because I’m a patient and determined man. These are pretty necessary traits for a writer to have, along with enjoying the sight of my own words, which explains why I’ve become quite enamored with blogging and Twitter.


Let's talk about your books. What are the names and genres?

I suppose the label of literary fiction applies to my writing, though I basically consider myself to be a writer of stories that don’t neatly fall into any particular genre. Since the majority of major characters in Patches of Grey are teens, technically it covers territory one might consider Young Adult. But the language is a bit rougher than what you’d find in most YA novels, and the tone more intense. I suppose one could say it’s an urban novel since that aptly describes the setting, but my goals are a bit loftier than glorifying so called street life. Essentially Patches is a story of family, of how it shapes us, how we try to break free of the nest with varying degrees of success, and no matter how far away we may venture a part of us will always remain behind. It’s also a story of race, how it defines us, how we use it to figure out ourselves and others, and how it doesn’t really define anything at all because the shared color of our blood trumps the degree of melanin in our skins. If African American/Black is considered to be a writing genre then I suppose one would toss Patches in there as well, being that I’m black and so are most of characters in it. But would it be black fiction if I wrote it but the majority of characters were white (which is the case in a fair amount of my shorter fiction, not to mention cases where I make no mention of characters’ race at all)? How about if the story remained the same but I happened to be white? Are you stumped? Exactly, who the heck knows, which is why I’m not too concerned with literary labels. Individual readers can decide for themselves what they wish to consider my writing, just as I leave it up to them to decide its merits. In addition to my novel and short stories I’ve also had a novella published as an ebook by SynergEbooks. Feeding the Squirrels is even more genre-less than Patches of Grey. It’s more or less about sex yet isn’t nearly graphic enough to be considered erotica, nor romantic enough to be called Romance. Anti-romance is more like it, or so it may seem for much of the story. It has absolutely nothing to do with race, but I’m still black so is it black fiction? LOL. Perhaps my goal is never to be pinned down, whether on page on in life.




Tuesday, May 18, 2010

Crossing Paths




RIP Aiyana Jones - Heaven receives some angels far too soon


The facts have not all been sorted through and made public, but one thing was perfectly clear right from the start. No 7-year old girl should die from a bullet, stray or otherwise. Any situation that may set up such an awful result should never be. Who is to blame and for what reason was a little girl shot while she lay asleep during a police raid on her apartment? Cameras don't usually lie and they happened to be present (friggin' reality TV shows), some say their presence instigated over-agression by Detroit police, so perhaps light will soon be shed upon the cause in this particular case. We already know the effect. A beautiful little girl will not make it to her 8th birthday. Her family is devastated. The officer holding the gun that discharged, regardless of his degree of fault and negligence, will have to live with Aiyana's blood on his hands and conscience for the remainder of his days.

Excellent summation of a tragedy

Petition to retry Officer Joseph Weekley for murder


Weekley's retrial began in September 2014. On October 3, the judge dismissed the involuntary manslaughter charge against Weekley, leaving him on trial for only one charge: recklessly discharging a firearm.
On October 10, the second trial ended in another mistrial.
On January 28, 2015, a prosecutor cleared Weekley of the last remaining charge against him, ensuring there would not be a third trial.

Crossing Paths is a tale of perfectly awful timing by several participants resulting in multiple tragedies. Unlike the sad story of Aiyana Jones, it is only fiction. If only all tragedies were the stuff of imagination.




Crossing Paths
By Roy L. Pickering Jr.




If he had known in advance where the events of this evening were destined to lead, Richard most certainly would have stayed home. Granted, there was nothing to do but stare absently at the television while brooding about Cheryl. It had been exactly one week since her declaration of independence. One week for her to reconsider the error she had made. But when Richard phoned to see if Cheryl's weekend of solitude had shaken her resolve, he was informed that she was out. Some people weren't meant to spend Saturday night alone. And though not cruel, a girl as beautiful as her who was so accustomed to being adored simply could not be overly concerned about the hearts she laid to waste. The assistance of a guardian angel must have enabled Richard to win her affection. That had been the consensus of his friends. As for how he lost it, Cheryl had reserved her womanly right to be mysterious on the subject.

When Richard's buddies appeared at his door and welcomed him back into the fold, how could he refuse? A night out with the boys downing six packs, talking sports, and ogling members of the opposite sex was just what he needed. Three months had passed since he last participated in this ritual. Not coincidentally, this was the duration of his relationship with Cheryl. His friends would help him, if not forget, at least to numb the pain. Richard was willing to give the universe a chance to exist without Cheryl at its center.

Maybe it was due to his long absence from these bonding sessions, or perhaps because of the splendor of what had temporarily replaced them. Whatever the reason, Richard found the evening's entertainment value to be lower than expected. His boredom soon proved contagious. Something different was needed, something special. The hours were dragging, their minds seemingly impervious to the alcohol consumed. There are times when despite all hope, nothing of note takes place. Unfortunately, this did not turn out to be one of those times.

The guy ran past them like he wanted to be chased. It was as if he was a figment of their darkest imaginings, and being a creation of their minds, could bring about no real consequences. Fun having eluded their grasp, they had silently but unanimously opted to look for trouble. As it turned out, they didn't have to look very far. The color of the sprinter's skin and clothing suggested that he was made of the night, a night that was theirs for the taking.

They cornered him against the wall of a supermarket. The look in his eyes put Richard in mind of a deer he had once encountered, seconds before running it over. There had been no time to avoid that accident, but tonight was no mistake and time was in abundance. After briefly hesitating to see if a weapon of some kind would be produced, the group turned mob moved in as one.

Richard had never done anything like this before. His dad raged against black people frequently, ever since one of them received the promotion he had been expecting. Craig Stafford, his friend since grade school and one of the attackers, had also been ranting about blacks of late. This was mainly because his sister was currently dating a black guy. As for Richard, he didn't bother to give matters of race much thought one way or the other, not even tonight. With every punch and kick, his thoughts were on Cheryl and the anonymous arms that now held her. Maybe he could bear her leaving him, but he couldn't deal with not knowing why and needed to take out his frustration on something.

How far they would have taken it, Richard would never know. A siren announced the arrival of the police, causing them to disperse. Sometimes things get out of hand and actions are performed which are entirely out of character. Richard was no criminal, hoodlum, or racist thug. He was drunkenly, aimlessly running with a pack as a remedy for his broken heart and wounded pride. If only he could make it home and forget this night had ever happened. This thought kept his legs churning.









* * *




Mike Sherman knew that if he had gone in another direction with any of his major life decisions, he would not have ended up here. He could have gone to college, but sitting for another second in a classroom seemed intolerable at the time. So he spent a couple of years in the Army, which helped him determine that he didn't want to be there either. An ambivalent mindset and extensive knowledge of firearms tends to lead a man towards one of the following career paths. He either breaks the law or upholds it.

His childhood friends never voiced disapproval, but made their joint opinion clear enough. Cops had never been anything to them but objects of derision. The fact that one of their own was now amongst this group was not well accepted. They gradually drifted away, and Mike had to adjust to the loss of his companions. When he met Amy, their romance was accelerated by his solitude. Within a few months Mike was married and had a kid on the way. The city was no place for a child to grow up, according to Amy. A move to the suburbs was in order. What else could he do but agree?

Mike felt uncomfortable in his new neighborhood from the start. So few faces resembled his own. He was the only African-American officer in the precinct. But Amy seemed happier than ever, and he wouldn't dare disturb the harmony of the woman soon to bear his kid. If he gave the place a fair chance, surely his feelings of alienation would go away. Eventually he would cease to notice the looks of distaste on his neighbors' faces that his wife swore were products of an overactive imagination.

Tonight had been a slow one, as most of them were, particularly when compared to his outings as a big city cop. As with his stint in the military during peacetime, everything he did here seemed merely a drill, undertaken for show purposes only. He longed for some action. An abundance of free time gave Mike ample opportunity to ponder his uncertainty that Mike Jr. would benefit from being raised in such a place.

Mike and his partner Bob were near the end of their shift when they noticed a commotion in the parking lot of Pathmark. Adrenalin surged through Mike's body as he gave chase, grateful to finally encounter a crime more serious than illegal parking. The perpetrators took off in various directions. Mike pursued the one with the smallest lead on him. Every teenager he had encountered since moving to this neighborhood seemed the same. They were spoiled rotten by Mom and Dad’s money. The natural arrogance of youth had overgrown because of undisciplined upbringings by parents less concerned about them than about golf scores, the stock market, and pedigree pets. The opportunity to bust one of these kids, perhaps screw up his shot at getting into Harvard or Yale, gave Mike a perverse rush.

The boy didn't notice that the fence he was trying to climb had barbed wire on top until it was too late. He dropped back down with blood dripping from his left hand. Mike realized that brandishing his weapon was probably unnecessary, but it was the first cop-like thing he had done in months. If the boy cried or wet his pants in reaction, so much the better. Mike had been looked down upon one time too many since arriving here. He relished experiencing the authority his badge was supposed to imbue.

Richard did neither of the things Mike wished for, though his fear was indeed overwhelming. Instead of shedding liquid, what it made him do was speak without giving much consideration to his choice of words.

"Just back off me, man, or else. Or else I'll get you fired. My dad knows the mayor. You hear me, nigger? Back off."

An explosion filled Mike's ears and the kid lurched back suddenly. There was no taking it back. The first bullet ever released by Mike in the line of duty would be the last. It wasn't remorse that he felt. Only regret encompassed him. His wife and unborn son would pay the price for his lapse of judgment and control. In one instant his life had been thrown away, solely for the sake of having the definitive last word. Mike tossed his warm revolver to the ground, fought back the vomit threatening to emerge, and began to pace in a maddening circle.









* * *





Russell had been close to losing consciousness, convinced he was about to die at the hands of rabid marauders, when they surprisingly ended the attack. He didn't have much time to be grateful. When his path of view became clear, the first thing he saw was a glint of light off the badge headed his way. Badges tended to be attached to cops, so Russell defied his bumps and bruises and took off.

After travelling a few blocks, he realized he wasn't being followed. He slowed to a walk and reflected upon this most bizarre night as the inevitable pain began to register. Russell did not often act on whims. His profession had plenty of built in dangers, but with careful precision timing they could usually be avoided. He had been very unprofessional tonight, letting emotions rule over rationality. Things started going downhill from there.

Russell's career as a burglar had been progressing smoothly up until tonight due to a single fact. About twenty percent of the homes in this county used the same recognizable security system, one that he was adept at dismantling. He moved from town to town picking out the marked homes, then waited for a night when one was empty. Russell went about his business quickly and efficiently, snatching any portable and undoubtedly insured valuables he could locate. No pain, plenty of gain.

At around ten o'clock that night, an attractive middle aged couple dolled up in their country club finest left their home an all-you-can-steal banquet before Russell's eyes. He waited his standard twenty minutes, in case they had forgotten something and made a surprise return. Russell almost paid the price for moving in too quickly early in his career, and never forgot a lesson learned. He spent the time watching for movement, any sign that the house was not completely vacated. Then, if all signals were go, he went about doing what he did best.

When Russell came upon the beautiful young girl quietly sobbing on her bed in the unlighted room, he found himself more touched than startled or concerned. He was also curious. She obviously came from money, was clearly one of the most exquisite creatures on God's green Earth. The world should have been at her fingertips. What could such a girl possibly have to cry about?

He was drawn to her in a way that was new and strange. The purpose of his intrusion was forgotten. Russell longed to comfort the forlorn beauty before him. Her tears made her seem a kindred spirit, for Russell too was no stranger to despair. The mask he wore for work purposes concealed not only his identity, but also the hideous visage he looked out at the world from behind. His mother's drug addiction was responsible for his deformity. A face only a mother could love, if only she wasn't too high, and then too dead to pay him much notice. As for the rest of the world's inhabitants, they looked at him and then quickly away with no pity, compassion, or affection of any kind. Loneliness made Russell think often about dying, but living had become a habit he was unable to kick. Money became a surrogate for the compassion mankind withheld from him.

To possess a girl like the one before him was a stubbornly persistent fantasy that had plagued Russell since puberty. He longed to win the heart and body of one so lovely, not by paying for the pleasure, but granted it freely. Fully aware that this would never be, he accepted the fact as he did all unalterable things. But when he moved towards the girl, her expression seemed if not inviting, at least resigned. His dream was not exactly about to come true, but if he was willing to settle for what was available, he had found a close enough facsimile. Life had made Russell an expert at settling. It may not have been consensual love making, but somehow seemed less than rape, at least at the time it was happening, at least to him. The girl's attitude remained unchanged throughout. She cried before, during and after. It was the closest thing to love Russell had ever attained, which was why he removed his mask before the act, and afterwards, left the house empty handed.

The gang of whitebread rednecks who assaulted him shortly after his hasty exit could not have been exacting revenge. They didn't see him as a burglar, or rapist, or hideous beast defiling their landscape. What he was to them was a nigger on the run, an antidote to their state of inebriated restlessness. Russell barely put up a fight. He was ashamed of his actions and the weakness that brought them about. The punishment he endured was deserved, though administered for unjust cause. When it prematurely ended, he was neither disappointed nor relieved.

To stumble across one's first sighting of a dead person is an unsettling event, particularly so soon after one's first rape. Russell stared at the body with mild curiosity, but had more interest in the discarded murder weapon lying a few feet away. This was another first, for he had never held a gun before. Russell was not by nature a violent man, though if the situation called for it, his nature was willing to make necessary adjustments. He couldn't be convicted for armed robbery if without arms, couldn't be shot back at if he didn't shoot in the first place. But tonight was clearly not a typical night, and Russell wanted to feel as protected as possible.

Then he noticed a glint of light off badge for the second time that night. The odd layout of streets in this town had led him in almost a complete circle, causing him to run over a mile in distance yet mange to get only a few blocks from where he started from. Instinct took over, just as it had done in the bedroom of a beautiful, despondent girl. Without hardly a glance at his defenseless target, Russell sent a bullet through the blue uniform and troubled heart of Officer Mike Sherman.




* * *





It seemed her tears would never end, but apparently their supply was not infinite, for eventually they did. Cheryl's body was sore from the sexual abuse it had undergone. Yet neither the pain nor its cause made it to the top of her list of concerns. She had been handed a heavy cross to bear, one she had been dragging about for a little over a week. To handle more was not an option, so Cheryl maintained sanity throughout the rape, composure even, by simply putting her brain on auto-pilot.

Confiding might have eased Cheryl's burdens somewhat by at least awarding her the sympathy of others. But first she had to come to terms with it in her own mind. In order to do this, it became necessary to tune out the worried queries of her parents. She avoided contact with her friends and completely shunned her boyfriend. Her situation made love a painful thing to accept.

The doctor had been remarkably frank with his diagnosis. Cheryl would have considered his demeanor callous, except that she could think of no more pleasant way for it to be stated. His delivery matched the severity of the subject matter. She had contracted the AIDS virus. Richard always used protection during sex, so his health was hopefully secure. And up until tonight, no one else had been granted the opportunity to become infected by her curse. So Cheryl mourned for and by herself.

She thought back to the fateful night it must have happened, to her one foolish indiscretion for which she had received the maximum punishment. She had not planned to go to the party, but changed her mind on the spur of the moment. Nor did she intend to drink, but was unaware that the supposedly virgin punch had been spiked. The guy she met would not have been there alone if his girlfriend had not broken up with him earlier that day, or so he claimed. Sex with a virtual stranger was not a habit or inclination of Cheryl's, but this one exception had apparently been necessary to prove the rule.

Cheryl stared out of her bedroom window and marveled at the cruelty of fate. She reflected on the circumstances of her life prior to the doctor's revelation, and how she had taken it all for granted. Financial security, beauty, popularity, adoration, youth and health were allotted to her, and it had seemed these things would always be. She knew different now. She understood with the clarity of the damned that she had been no more deserving of her abundant riches than she was now of her excessive misery.

Cheryl reached beneath her pillow and withdrew the gun deposited there. With her parents out of the house, tonight was as good a night to take her life as any. Cheryl would not allow her death to be a shameful affair. The stigma of AIDS must be prevented from tainting her good name. Better to steal some prose from Sylvia Plath for a top notch suicide note and proceed to end her existence when and how she saw fit.

One of the prerequisites of her fade to black was privacy. For this reason she had not fired on the masked intruder who momentarily interrupted her plans. Cheryl refused to share the scene of her death. So she let him go about his business. He would be getting his due soon enough, not realizing that in taking her by force, he was also unknowingly stealing the poison within her.
Cheryl gazed at the instrument that was to bring about her demise. She moved her fingertip along its grooves and crevices as she had done numerous times before. The gun belonged to her father, along with the lone bullet in the chamber. He could retrieve his weapon when she was done with it, but the bullet she intended to keep.

Cheryl was no novice at suicidal thoughts. Self-annihilation had been her central preoccupation ever since she grew bored with the drudgery of bulimia. But up until a week ago, she had not possessed substantial motivation to make her dark fantasies come to fruition.

She lived in a fashion most people would envy, if their viewpoint was from the outside. Cheryl did not have a valid excuse for her melancholy, but sadness does not always require a firm reason. For the sake of appearances she pretended to be as happy as others figured she ought to have been. The make believe exacerbated the depression she was running out of ways to camouflage.

In a few moments Cheryl would no longer need to pretend. Nor would she be at the mercy of fate's masochistic whims, tossed from one destiny to the next like a dandelion in a sporadic breeze. She placed the gun barrel in her mouth, bit down on the uncompassionate steel, closed her eyes and pulled the trigger.

As dumb luck would have it, the damn thing jammed.



## THE END ##

Monday, May 17, 2010

Some Book Reviews



























Rabbit at Rest by John Updike - It has been several years since I read the previous entries in the Rabbit series, but Updike sketched the character of Harry "Rabbit" Angstrom so vividly that I remembered him quite well and was immediately absorbed by his final adventure. What can I say about Updike's writing, particularly in the Rabbit books, that hasn't been said already? Has any other character in the history of literature been brought more fully to life? None to my recollection. This book is a masterpiece unto itself as well as the final piece of a picture that is breathtaking in scope. Readers get to know even if not particularly like Harry to a greater degree than their own children, siblings, friends and parents thanks to the unwavering hand and immaculate skill of John Updike. Rabbit at Rest is what all literary fiction aspires to be.


New World Monkeys by Nancy Mauro - This fine debut novel, told in alternating narration, is in short about a married Manhattanite couple that has reached a rocky patch, one they're unwilling or unable to communicate about other than by allowing themselves to grow apart. When Lily inherits a house in upstate New York she uses this as an excuse to move there for the summer while working on her obscure dissertation, never mind that the small town's library is insufficient for her needs. Her husband Duncan is an ad man, balancing his eat or be eaten profession with taking the trip upstate once a week to spend weekends with his wife. So they're separated, but not really; married but no longer intimate in any sense of the word; perhaps still in love with each other but neither certain how to express it. The change of scenery brings various quirky characters into their unsettled lives and immediately puts blood on their hands, that of a not so wild boar which turns out to be the town mascot. Duncan has a jeans campaign that he's in charge of as distraction from the state of his marriage, Lily has an unlikely friendship with the local Peeping Tom willing to show her the ropes as her diversion, and together the couple find a mystery to literally unearth in the form of a scattered skeleton buried in their garden. But the various odd characters and events that populate this tale mainly function as backdrop to the story of a couple trying to determine if they've reached the end of their road, or merely a slippery turning point. Mauro's command of language is strong and her skillful prose moves the reader through the pages of her book swiftly. I look forward to more from her.

Night Fall by Nelson DeMille - It's been a little while since I last read a piece of conspiracy theory driven pop fiction. I took a break after reading Dan Brown's books to focus on my first love of literary fiction, but happened upon this book when ready to take on my next book and decided to give Mr. DeMille a shot. Night Fall begins with a tragic historical event [explosion of TWA Flight 800 shortly after take-off in 1996] and ends with another one that takes place 5 years later. Do the math and I'm sure you'll figure out which one. The narrative follows detective John Corey as he follows leads in a 5-year old case in which the most crucial piece of evidence he seeks was quite possibly covered up. Will he be able to uncover it? If so, what shocking revelation will the cover up lead to? Readers get the answer to the first question but (spoiler alert) not to the second. An enjoyable light and fast paced read. I'll probably leave the world of police procedurals, FBI & CIA operatives, and international intrigue behind and return to lit fiction for my next several reads, but Night Fall was an entertaining time out with the factual components involved lending to its charm.

A Swell-Looking Babe by Jim Thompson – I can’t say that I was overwhelmed by it, but the pages of this short noir novel raced by quickly enough. Thompson's prose didn't resonate with me as powerfully as say Raymond Chandler or Walter Mosley or Chester Himes. But he did a fine job putting the reader into the confused mind of a lead character trying to figure out the constantly shifting whirlwind going on around him, and slowly revealing the young man's true character and motivations.

Blind Man with a Pistol by Chester Himes -This novel by Chester Himes is basically an example of existentialism old school Harlem style. It may not be for everybody, certainly not for readers who want a clear cut answer at the end of their whodunnits, but I'm pretty sure Kafka and Camus would have approved of Blind Man with a Pistol. Who killed the pants-less man, why did that woman kill that guy, is any one person or organization behind the marches that quickly escalate into riots and looting? Questions such as these are asked, most are not answered definitively. Why not? Because Himes isn't really interested in providing a mystery to be solved. His goal is to make the point that most violence is like a blind man with a pistol, without aim, without strategy, without a point. Tragedies happen because people keep butting into each other. It's the way of the world. I especially liked the final chapter which stands apart from the rest of the book while also representing all that came before it. Personally I would have liked a little more cohesion to the plot, at least one case solved by deductive reasoning. That's a main reason one chooses to read a detective novel after all. But Coffin Ed Johnson and Grave Digger Jones are no ordinary detectives, or at least their situation as representatives of the law but also outsiders to it is unique for a crime novel. One could argue that it's actually a sociological and/or philosophical book masquerading as a cops and robbers tale. Coffin and Grave Digger walk the line between white and black worlds and sometimes you may wonder where their loyalty will lie, but the matter is never truly in doubt. They are honest men whose goal is to do their job as permitted to do it, and to keep alive. Sometimes this allows them to catch some bad guys. Other times the bad guys have too much pull to be troubled much by the lowest guys in the legal totem pole. No matter. There's always another case to work on, another corpse on their beat, another reason why someone has to die, but never a particularly reasonable one. A blind man with a pistol doesn't really aim, he just points and fires and whoever gets hit goes down.
~~~
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Thursday, April 29, 2010

Interview with Authors on the Rise

Recently some questions were posed to me by Dee Dee M Scott at her author interview blog.


Dee Dee: When did you write your first book, and how long did it take you to complete?

Roy: My first attempt at a novel was undertaken when I was in high school. I abandoned it after a few chapters but showed enough commitment to convince myself that I had full novels in me some day. This was later proven when I completed Patches of Grey. The first draft took me a couple of years to finish as it was written while I was first a full time college student and then a full time working stiff. I continue to be a student of life with a 9-5 gig. Patches then went through a substantial amount of revising over the course of a year as the literary agent who represented me submitted it and obtained feedback from various publishers. After parting ways with my agent and having grown weary of the pursuit of publication, I put my novel aside for awhile and returned my focus to something I enjoy far more than the query and submission process – writing. Much changed in the world of publishing as I worked on novel # 2. Self publishing rapidly grew as a viable alternative to the traditional route, as did the number of success stories that resulted from it, and what had once been something I held my nose up at transformed into an acceptable option. I knew I would eventually get back into the hunt for an agent and publisher once my second novel was done, but in the meantime rather than letting Patches of Grey collect dust as a manuscript in a drawer, I decided to put things in motion towards the day when people beyond a select few would have the opportunity to read it. Last year I reached the end of my journey, at last holding a printed copy of my first novel in hand. Since then I’ve learned that it wasn’t really the end of a journey, but the beginning.



Dee Dee: Several of your short stories have been published in anthologies. Please tell us about them?

Roy: I’ve written somewhere between 50 and 100 short stories over the past couple decades. They have been published by a wide variety of print and online publications. As you noted, several of them have appeared in anthologies. It is often the case when I find out about an anthology seeking submissions that there is a theme to it. I like to write on a wide variety of topics and in a range of styles. Therefore no matter what the theme is, a story or two of mine frequently fits the bill. The Game: Short Stories About the Life sought gritty, urban stories and they accepted two tales of mine that can be described as such. Prose to Read Aloud is an anthology put together specifically for students who enter competitions. As the title indicates, the stories chosen would potentially be read aloud at such competitions rather than silently to yourself, so I evaluated my body of work with this in mind and submitted a piece that fit the criteria. Most recently one of my short stories appeared in Ménage à 20 which is an anthology of “tales with a hook”, as in a surprise ending. I had plenty of pieces to choose from since one of my earliest short story writing influences was the master of the twist ending – O. Henry. On occasion I will write a new story specifically for an anthology. An example is the one I wrote for Proverbs for the People. Each story in it was to be inspired by an African proverb, so first I selected a proverb and then I wrote a tale with it in mind.







Friday, April 23, 2010

Reparations























Seems this article by Professor Henry Louis Gates has riled some people up.
x x x
I'm seeing nothing (on Twitter) but disagreement with what Gates had to say, probably because he said something not 100% in step with mainstream opinion.

Just because an assertion is unpopular & makes you uncomfortable doesn't mean it doesn't contain kernels of truth, or perhaps much more than kernels. The more people protest the more curious I grow as to why.

Sometimes people are near unanimous in opinion for an obvious reason. But when we focus on the obvious we tend to ignore critical nuances.

I'm not nearly as riled up by Gates' opinion piece as are the various tweeters I've seen remarking on it. Basically he asserts that Africans were largely complicit in the selling of other Africans into slavery, complicating reparations issue.

This is not really new info except for the degree of African involvement being asserted. Perhaps as high as 90% of those shipped to the New World were enslaved by Africans and then sold to European traders per recent findings.

I can neither agree with nor refute such numbers as I'm no scholar on the subject. Nor do I conclude that the reparations issue should be re-examined based on them.

As they say, two wrongs don't make a right. Even if we opt to see the role of Africans in a harsher light, this doesn't change severity of light on America and the white forefathers who enslaved black Africans for free labor.

There will never be actual reparations paid for too many reasons to get into. We're talking symbolic gesture here as Gates correctly points out.

Dividing up a symbolic gesture would only weaken its impact, assuming gesture ever gets made, yet another reason I do not co-sign Gates piece.

However, unlike many who were angered I am glad Gates wrote the article. It prompted thought which I am always grateful for, and my train went in different direction than the reflex reaction of anger.

Black Americans (thanks largely to Roots) decided in the 60's-70's that we needed stronger, well, roots. Slavery had splintered & F'd up following generations of Black Americans.

I've taken this mindset as gospel for the most part, though I personally also look to the Caribbean [St. Thomas in the house!] for my roots. But Gates shook reasoning up a bit.

Africa after all is a continent, not a country. A continent comprised of MANY countries comprised of MANY tribes. Africa itself is splintered.

So what does African American really mean then if Kenyan-American surely means something far different than Nigerian-American?

Most whites don't say their ancestry is European. They say it's Italian or Irish or German? If European doesn't say enough, why should African?

Black Americans are not in fact splinters, but splinters of splinters. This complicates an already pretty complex situation.

Most don't bother to track down which tribe in which country they personally descend from. Not always possible anyway. Not necessary either.

Post Africa, post slavery, black people in America were supposed to finally be a single group. A continent & an abomination united us.

But how united can splinters of splinters truly be, especially without a strong common cause such as the 60’s civil rights movement provided?

Without a uniting cause does splintered tribe mentality inevitably surface? Dark skinned or light. Bougie or Ghetto. Tupac or Biggie devotee. Blacks who date interracially stand over here, those who won't even put milk in their coffee stand over there.

While Gates did not cause me to reconsider "untangling the knot" of the reparations issue, to think more about splitting of blame rather than sticking with "blame whitey" mentality, it did make me think about how far back we must look to pin pride, assign blame, establish responsibility for identity.

I don't see the point of Gates article as being: Black people need to blame themselves, not just whites. Although I see how that translation can easily be made.

I think the point is - everybody and nobody is to blame. Evil exists in the hearts of all men & brings about evil results. Therefore, don't concern yourself too much about whom to blame. Concern yourself with where to aim in bringing about a much better tomorrow.

If someone pushes your button in a way that makes you think - pause, re-examine, determine if a deeper point lies beneath the blatant one.

Truth is, Professor Gates was not absolving American Whites of blame for slavery. He was simply expressing that there are quite a few ways to skin a cat or examine an issue. Rather than simply grasping the one closest and easiest to reach, dig deeper my friends.


Twelve Years a SlaveTwelve Years a Slave by Solomon Northup
My rating: 5 of 5 stars

I suspect that the film adaptation, which I look forward to seeing after keeping a promise to myself to read the book first, will be more melodramatic and pull on heartstrings to greater effect and purpose than Solomon Northup's telling of his life story. Northup writes in somewhat stilted prose, his style academic rather than evocative like great novels or movies. He is not trying to draw out our tears. He is not attempting with every stroke of the pen to stir up emotions. Northup is simply telling us like it was - straight no chaser. No need to exaggerate the brutality or the tragedy, no reason to willfully demonize people whose monstrous acts and barbaric attitudes speak for themselves. Is the reader outraged, astounded that people could casually treat others in such a manner? Only if the reader has a soul. Northup doesn't use his words to move us the way his violin playing moved people. He is both impartial reporter and the subject of his piece of journalism. He doesn't ask us to feel sorry for him, or to hate his oppressors. What he does is recount what it was like for a man to suddenly find himself in bondage and servitude, endure it for over a decade, and then miraculously find himself free again with a most amazing and devastating tale to tell. He tells the truth in as unbiased a manner as possible and allows us judge it for ourselves. How did any man ever convince himself that it was okay to treat another this way? How did they ignore the humanity they surely saw in the brethren they stole from another continent? How was a single one of them able to look in a mirror? Twelve Years a Slave asks these questions but is unable to answer them, nor does it bother to try. Nothing can adequately answer them. The mystery of such heartlessness has not revealed itself over a couple hundred years. This is what our country was founded on, inalienable rights unevenly dispersed with extreme prejudice. This is what we need to atone for and move forward from. This is the stain that will never fade. Yet quite tellingly, those 12 years are not what made Solomon the extraordinary man that he was. Those 12 years happened to him but did not become him. Otherwise he probably would not have been able to write his book. The past brought us to this present, but it need not define any of us. In even the most suffocating circumstances, we have the freedom to do that for ourselves.

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Monday, April 19, 2010

Writer Defined


























This morning I happened upon the blog of paranormal author Jo Lynne Valerie. She posed some interesting questions that I felt compelled to answer about why someone is defined as a writer, by themself as well as by others. I liked a response that came after my own in which the person wrote that one can be able to dance reasonably well without being considered a dancer, or sing pleasantly enough without being considered a singer, so surely not everyone who has written should be considered a writer. Now everyone dances and sings and writes, but when it comes to the latter while everyone does scribble thank you notes and emails and shopping lists, surely not everyone has it in them to write a book. Writing an entire book (I'm not referring to a ten page children's book here but a text with some heft to it) is most definitely an accomplishment, even it the thing happens to be atrocious. That's why people will congratulate you even though they haven't read it and have no idea if it's coherent, just as someone will congratulate a woman for giving birth even if she hasn't parented yet and they have no idea if she'll be any good at it. The initial congratulations is earned by the act of labor. Writing a book, writing a readable book, and writing a good book are three very different achievements indeed. If you only manage to pull off the first task, it's still more than many who think of themselves as having writing talent manage to do. In short, you can write without talent and you can be talented without writing. And unfortunately, you can also write with talent without being read by very many. Below is what I wrote in response to her query.


* * * * *

I suppose I hold a distinction in my mind between "writers" and "those who have written books". Yet I don't have a hard and fast definition of where the line is to be drawn. As one with an old school mindset about the art and business of writing my impulse is to say that those who do it primarily with monetary gain in mind, who would quickly abandon it if something less taxing and more lucrative was stumbled upon, are not true writers. Writers are artists who create because they must, right? Whether or not they find an audience and make a profit is beside the point. They tell their stories because the alternative is implosion, then move on to the next one. Surely that's why Hemingway and Faulkner and all the other legends put pen to paper, right? On the other hand, I consider talent (part God given, part very hard work to gain mastery of) as a critical ingredient as well. Truth is, there are some who write because they feel it's a calling who do it so poorly I'd hesitate to call them writers. And there are some who come up with a "gimmick", perhaps latching on to a trendy genre of the moment, who write primarily because they've figured out how to make it pay, and do it well enough (even if with more head than heart) that respect must also be paid. You ask: Is there really a difference between authors who write books geared toward marketability, from those who write a book because they believe in it? I answer: Yes, they are very different types of people. But that aside, if both these types of writers can "bring it" then both types will satisfy their audience, and in the end the reader is both jury and judge. If you've earned the right to call yourself writer, regardless of how and why you earned it, readers will let you know.

It is obviously essential today for writers, particularly those who self publish or are published by small houses, to gain a measure of expertise at marketing and promoting if they want readers to find their books. These are critical components in becoming a "book seller", but have nothing whatsoever to do with being a "writer". Writers today perform multiple tasks because it's hard to grab people's attention with so many competing distractions out there. It's essential to wear the hat of both writer and book seller if you want to move units. These tasks are related to each other, but are not one and the same. A writer who doesn't sell much because he/she doesn't market well is still a writer. And an author who does sell many copies because he/she plays the game well does not automatically qualify as a talented artist on account of this. Some are merely effective salespeople and the product they're hawking just happens to be a book.

* * * * *

If you have read my prose, a short story or perhaps one of my novels or my children's book, yet have yet to meet me in person, it's because I fall under the category of one who defines himself as a writer by the writing he has done, not by the strength of advertising campaign. You probably have not seen me at a book festival or heard me at a bookstore reading, though I have dabbled a little. Chances are that even if you actually want it, you don't have my autograph. The extent of my PR blitz to date has been confined to the infinite internet. Slowly but surely I am planning to change that, to get out there and meet with potential readers, press the flesh like someone running for office. I'm up for kissing baby foreheads if that's what it takes to make a sale, not because of the money, but because a major reason I write is for it to be read. My stories are not meant to be strictly for me. Even if the writing of some of my tales has served a self therapeutic purpose, my desire is always for the eyes of others to fall upon my prose. If the mountain won't come to me, then I'll head off to the mountain. Public speaking is not a strength of mine, but life is too short not to take your best shot at it. If you see me at a book signing someday and I seem at all nervous, a big smile and a book purchase will go a long way.


Thursday, April 1, 2010

Advice for Aspiring Authors







So much of what I have had to say lately, particularly that expressed in writing, initially comes out one tweet at a time. I'd consider this a bad thing except that Twitter's constraint of 140 characters and the fact that I sometimes receive tangible proof that people are paying attention has turned out to be liberating. Who knew I had so much to say? Well, truth is, I did. But now others, mostly strangers, do as well. An actual audience. Nothing wrong with that to go along with my slowly growing list of blog followers. For my latest commentary, this one about the writing process, see below. Responses always have been and always will be greatly appreciated, especially now that I've adjusted my blog settings to keep out the Spam. So please share your own thoughts after perusing mine. Happy reading, and for the aspiring authors who happen upon this entry, happy writing as well.



Since joining Twitter I've read countless tweets joining forces with countless snippets of advice elsewhere in cyberspace giving authors tips ranging from the rather obvious to the pretty useful.

These innumerable tips for authors have regarded how to query, to submit, to market, to promote, to sell, etc. Tons of information out there to be sopped up like gravy with a biscuit.

Whether you're self pubbed, pubbed by small publisher, or a minor author pubbed by a big publisher scarcely aware of your existence, much of the promotional work is in authors' hands nowadays.

Literary agents want authors to do their work for them so pitches to editors are made easy. Editors want authors to do their work for them so pitches to marketing department are made easy. Marketing department wants authors to do their work for them so pitches to public are made easy. Quite a lot heaped on plate of author who thought his/her work was done by completing their book. Turns out the work has just begun.

Some authors are better at promotion than others. Some have more of a temperament for it or are more industrious or more tech savvy or have more time to dedicate than others. All must play the game if they wish to sell much more than a handful of copies.

Who better to sell your sweat/blood/tears than you? Writers are no longer allowed to simply be writers. They must now be PR people as well. C'est la vie in the world of publishing 21st century style.

So it's understandable why there are so many out there advising authors on how to better promote themselves. But how about advising the aspiring on how to write?

There are all sorts of writing courses out there, but on the most basic level one can't be taught how to be a writer. Simply put pen to paper and let your words flow. Your brain and heart and imagination will determine which ones come out in what order.

As a child I decided I wanted to be a writer. As a young man I decided to write a novel. Conceived plot & characters in my head. Now what?

I knew I could get plenty of words on paper via stream of consciousness. The sum total would make a story, but would it really be a novel?

I decided this technique would not result in a real novel. It would be too raw, without the shape readers need. What I required was a template to work from.

There is no better teacher of becoming a novelist than the completed novels of others, preferably good ones of course. One problem though. Every book I had read prior to attempting to write my own was read strictly for pleasure, or for school assignment that then became pleasure.

I needed to study a novel, really study it. How do I make dialogue authentic so it doesn't read as something written, but rather, something said?

People rarely make speeches. They talk over each other, they umm and ahh. They have trouble coming up with right word sometimes or lose their train of thought in the middle of expressing it.

People think as they speak, about what they're saying, about what they want to avoid saying, about other things related & unrelated to the words coming from their mouths. They think a million times faster than they speak. Many thoughts can pass through a character’s mind in the time it takes to speak a line or two.

Convincing dialogue takes some time to master, coming more naturally to some writers than others. An author cannot stop at just mastering dialogue though. Readers need to see the characters & their surroundings. If you want to focus primarily on dialogue, write a play.

The reader needs to see what the characters observe & what the characters miss. Such description & dialogue need to seamlessly intertwine. Some do the describing in more artsy fashion than others, but whatever your style it cannot be neglected.

When I decided to make a serious attempt at writing a novel I picked a published one up to serve as instruction manual. The novel I used as my "instruction manual" was Ordinary People by Judith Guest. Not a bad choice at all.

Patches of Grey is actually the second novel I started writing. I made my first foolishly brave attempt when in high school. Surrendered a few chapters in but wrote enough (probably quite badly) to know I had a full book in me someday.

My boss at the first job I got after graduating college was a copywriter. When I told him of my literary aspirations he asked how many pages I could write in a day. Ten was my confident reply. How long would you say the average novel is, he asked next. 300 pages I supposed. Write one book per month then, he said. Easier said than done, that’s for sure, but his point was effectively made. You want to write…write.