Collin Walker boarded the 1 train bound towards
his sparsely decorated, dimly lit, undersized and overpriced apartment on the
Upper West Side of Manhattan
Collin did not regularly fraternize with Doug,
Randall, or Brandon. Outside of their shared love of making vast sums of money
on paper, he did not have much in common with these men. Yet due to many hours spent together in
confined quarters riding the impetuous charges of bulls and bears, they were
his closest acquaintances, coming as close to friendship with him as anyone
else managed. Collin held nothing in
particular against fellow members of the human race. He simply had yet to find the company of
another living soul preferable to neatly arranged solitude.
He bestowed smiles as a miser spends his money,
released laughter like a devout nun experiencing pleasures of the flesh, with
great reservation and only on the most holy of days. Collin would often flinch when innocently
approached from behind, as easily startled as a sleepy infant. It was as if he pretended away the existence
of other people to make his surroundings more palatable, only to be shocked by
harsh reality when reminded of someone else’s presence. At first his colleagues teased him for his
awkward discomfort with contact and personal interaction. Eventually they determined that it was best
to just leave him alone.
Therefore on occasions as rare as today when his
senses were assailed by rum and coke and he let loose his tightly wound
persona, it was a treat for those who knew what he was usually like. Throughout the party Collin told rambling
jokes that evoked laughter based on their manic delivery rather than the punch lines;
indulged in forms of physical expression seldom utilized by him such as back
slaps and shoulder punches; and flirted with a lack of skill that was nearly
made up for by the novelty of his efforts.
This year he had been in particularly rare form with a barely
recognizable Michael Jackson dance imitation on top of a receptionist's desk.
"That was some shindig," said Doug,
quite noticeably the shortest of the group at only five feet four inches tall,
making him the butt of many a private and sometimes public joke. He always pretended not to mind, to be amused
by this curse of fate while mentally cataloging every slight for future
spiteful reference.
"You think the big guy will like our
gift?" asked Brandon New York
University
"He likes anything he gets for free,"
said Randall, the elder statesman at age 58.
Randall considered himself to be a mentor to his peers, but was alone in
this opinion.
"We should've pitched in to buy him a toupee
that fits," Collin said, collapsing in a fit of cackling that was a
reasonable facsimile of laughter from one so unversed in the art.
“I think he’s having an affair with Evelyn,” said
Doug.
"No way," said Brandon
"Because he's the boss and she's
incompetent, sonny boy," Randall replied.
His fear of being retired early to make room for more hot shots like Brandon
An elderly man dressed in rags and emitting a
rather foul odor entered from the adjoining car, temporarily interrupting the
gossip session.
"Excuse me, gentlemen. Could any of you spare..."
"No I cannot spare any change, and I don't
want to hear the sad story of your life either," Doug answered. "Can't you just get a job at McDonalds
or something?"
"God bless you, sir."
"Here you go," said Brandon
"Merry Christmas to you too." The frail mendicant moved along to solicit
the next passenger.
"You shouldn't be such a sap," advised
Collin. He made this statement while
clinging to the straphangers as if quicksand was beneath his feet.
"It's only a dollar," said Brandon
"There’s got to be one of them per square
foot in this city," said Randall.
"If I gave a quarter to each one who asked, I'd be bankrupt in a
week.”
"The dollar you gave away is going to be
spent on a vial of crack," pronounced Doug.
“And that’s wack,” Collin piped in, tickled by
how something so commonplace as liquor had released his poetic side.
The train pulled into the next station. Getting on was a teenager carrying a bulky
radio. A rap song blared from its
speakers in defiance of subway rules.
The young man stared the Wall Streeters down to ward off in advance any
statements of disapproval.
"Any of you guys got the time?" he
asked.
The question was followed by a loud thud, which
turned out to be the result of Collin stretching to look at his watch, after
which he lost his grip on the straphangers and rapidly descended to the
floor.
"It's almost one," he said upon
landing.
"Thanks, homes. Happy Kwanzaa." The kid did their eardrums a favor and went
into the next car. Collin's antics had
taken him off guard, and he tended to avoid white people whose actions he
couldn't predict.
"They complain they're not advancing because
of prejudice," Randall pointed out quietly, after checking to be certain
that the nearest person in possession of more melanin than himself was beyond hearing
range. "Bigotry has nothing to do
with it. It's all in the image you
project. You come across like that and
no one's going to want to hire you. It's that simple."
No less than eighty percent of Randall’s opinions
on complex societal matters were concluded with the words – It’s that simple.
"I like Bennett," Doug said, speaking
of the lone African- American who worked in their department. "He's a good man. He does his job very well."
"Bennett's an exception to the rule,"
Randall said. He could become quite
testy when one of his expert opinions was refuted. "There's a lot more like the guy just in
here playing that hippity hop music."
Brandon, whose girlfriend unbeknownst to his
co-workers happened to be black, decided to contain his temper and sway the
conversation in another direction.
"Loved your dance routine at the office, Collin. Ever think of getting out of Wall Street and
going into the music business?"
Collin rose unsteadily, shaken like a pair of die
by the swerving train and alcohol swishing in his bloodstream. "There's certainly plenty of money in
it,” he said. “Michael Jackson, look out!" He attempted a mid-80’s Jacksonesque spin,
completely unaware that the singer was much more likely of late to be found
defending himself in a courtroom or selling off assets to avoid bankruptcy than
at the top of music charts, and ended up on the seat of his pants again.
"Bravo!" his associates cheered,
applauding as he stood up and took a bow.
On the opposite end of the subway car, a thin
Caucasian man in well worn fatigues entered.
A scruffy beard failed to fully conceal the scar that ran from his left
ear to mid-cheek. His pale blue eyes
were vacant like a blind man's, but he could see. One immediately got the feeling that he had
seen too much. He limped forward with
grave determination, unsteadily navigating around shopping bags full of
Christmas gifts that sat on the floor in front of several passengers, briefly
telling his hard luck story to each of them before futilely holding out his
hand. Finally he reached the Wall Street
revelers, sixty five cents richer than he had been at the start of his journey.
"Hello, gentlemen. If any of you could spare some change, I'd
really appreciate it. I have a metal
plate in my head and a bum leg from the war, and the government ain't paying me
a dime."
"I think I'll rest my bones for a few
minutes," the beggar said, sitting opposite them and closing his
eyes. "This cold weather really
stiffens up my leg."
For the next few minutes the only sound to be
heard was that of the train racing along the tracks, its steady rhythm
hypnotic. The co-workers’ desire to
socialize had run out of steam, the alcohol in their respective systems
reversing direction, bringing each of them haphazardly down from the peaks they
had been brought to. Tranquility was
ended when the beggar began muttering in his sleep. He was apparently having a bad dream, for he
twisted and turned in his seat. Then his
eyes shot wide open.
"Oh God, no!" He shielded his head with his arms. "I don't wanna die, I don't wanna
die!" In pantomime he proceeded to
shoot an imaginary rifle at an invisible foe.
"Die bastards, die!"
As unexpectedly as the flashback began, it
ended. The beggar lowered his arms and
his breathing returned to normal. His
aimless glare was all that remained of the episode.
The other passengers looked at him curiously, but
none with the intensity of Collin who recognized the expression that had been
in the beggar's eyes during his episode.
Absolute rage amalgamated with perfect fear. It was the same expression Collin possessed
on a humid night in a dense jungle of Vietnam
Collin saw right away that the soldier's weapon
lay five feet away, impossible for him to reach any time soon. He was no threat to anyone. Life had already left one of his legs, and
unless he was given medical treatment, it would soon leave the rest of him.
No one could hate the war as much as Collin
did. From the moment he set foot on that
God forsaken corner of the globe he was in a continual state of paralyzing
terror. Prior to then he had thought of
himself as a brave man, though for no particular reason. His belief was theoretical rather than
practical. His manhood was yet to have
been tested.
As soon as he stepped out of the helicopter and
into Asia , fear became an intimate friend who
would never leave his side. It would
accompany him throughout his tour of duty.
Then it would go along for the ride back to America
The Vietnamese soldier's face showed no reaction
when Collin raised his rifle. Perhaps
his pain did not allow any emotion to be expressed. Maybe his soul was prepared to take leave of
the earth. He may have gone through the war as frightened as Collin, and was
relieved that in a moment he would finally be free.
It seemed an eternity passed as Collin stood poised
to kill. He had fired into moving brush
and shifting shadows before, but never face to face. Collin may have killed men, but didn't know
for sure. This time he would.
Collin stood trembling while the soldier stared
passively at him. Why wouldn't he get up and charge? Why wouldn't he make a lunge for his
gun? If only he would do something,
anything to force the issue. Enemy or
not, war or not, if he didn't move and Collin fired, it would be murder. But it would also be one less enemy to fear.
How dare he lie there with no chance of
overcoming his foe, yet be so calm? Why
was Collin, in the stance of an invincible killing machine, incapacitated?
This man represented all he had been trained to
hate. But could justification be found
for killing a helpless, defenseless man?
In a language Collin would never understand, the
soldier began to speak. It may have been
a plea, a prayer, or a curse. Collin
would never know, and his trigger finger did not allow the sentence to be
completed.
"One dollar."
Collin turned towards the voice that had brought
him tumbling back to the present. It
belonged to a Korean man with a shopping bag at his feet. His arm was outstretched, and spinning on the
palm of his hand was a clear plastic top with a light inside. It made a whistling sound as it spun. He put the top into the bag and took out what
appeared to be a bobble head doll.
Collin had to smile when he pushed down on the boy's head and a stream
of water shot out as if he were peeing.
"Tree dollar."
But Collin’s smile vanished when he noticed a
glint of steel. The homeless veteran
seated across from him slowly withdrew a dagger from the back of his boot. His glare was not aimless or far away
anymore. It was focused on the target at
hand. He stood up, concealing the knife
between his arm and body, and began walking towards the unsuspecting
peddler. With the exception of Collin
and those who were ignoring the scene altogether to ponder what more they still
had left to purchase for the holiday, everyone's eyes were on the Korean man
and his bag of treats. Some were
reaching into wallets and purses to buy their final low budget Christmas gift
of the day, while others were waiting to see what else he had to sell. None knew that he was about to die.
The war veteran was about three steps away from
his would be victim when Collin tackled him, knocking into the peddler in the
process. This altered Collin's momentum, so it was he who ended up on the
bottom when they hit the ground.
Stronger than he looked, the veteran was able to break free from
Collin's grasp, deliver a punch to the jaw, then retrieve his weapon.
The dagger was held menacingly over Collin's
throat. Tears crept from his eyes and
his bowels also threatened to let loose their liquid. A feeling of self-loathing overcame him. Hunter or hunted, he was a coward. He had managed to summon enough courage to
attack a battered homeless man from behind, but that seemed to be the extent of
his bravado. Now that he was forced to
encounter danger head on, he could do no more than cower and shiver like an old
woman in a cold rain. Fear clung to him
like vines on a trellis.
As Collin awaited the inevitable, he noticed a
change in his captor's expression. The
veteran gave Collin a knowing smile.
What was it that he knew? That
Collin wasn't worth killing, because he was no threat whatsoever? That he was about as dangerous as a dying
Vietnamese soldier with one good leg?
The once proud warrior, now homeless vagrant,
rose to his feet and headed towards his original target. The Korean man lay on the ground, somewhat
disoriented because his head had hit the floor.
His expression conveyed the same look of surrender possessed by the
soldier Collin had killed years earlier.
Anger, hatred, and a sense of betrayal harbored
far too long were set to be unleashed because the slant of a man’s eyes
reminded the discarded hero of the time and place where his future was stolen
from him. This is why Collin had been
spared. The veteran didn't want to waste
any of his fury on a fellow American.
Surely someone would stop him, Collin
thought. Then again, maybe it wasn't so
certain. They resided in the city of
non-involvement, and it was only a foreigner who spoke broken English and sold
toys on the subway who was about to die, not anybody who mattered. He would be slain in front of a moving studio
audience. The veteran probably did not even realize that he was attacking an
innocent man on a New York City
Collin finally understood what the eyes of the
Vietnamese soldier he killed had been conveying. It wasn't a message of peace, or acceptance,
or relief. It was questioning. His eyes were asking - "Why me?"
Could justification be found for killing a helpless, defenseless man?
In answer to the question, Collin sprung to his
feet and charged at the veteran, driving him hard into a door of the subway
car. The veteran crumbled to the ground,
no longer a danger to anyone. The peddler, realizing his life had been saved
yet again, looked up more in wonder than gratitude. And Collin, with the knife now protruding
from his abdomen, dropped down to one knee, vaguely aware of the queries of his
worried co-workers, but preoccupied by the fact that he would probably die
staring at a plastic boy with a bladder control problem. Fear was nowhere to be found. His old traveling companion, his one true
friend, had finally departed.
The lights went out.
Collin did not know if this was due to a commonplace glitch in the
train's electrical system brought about by alleged under-funding that would
inevitably lead to yet another fare hike.
Of if it was because his ride home had officially begun.
THE END
IT WAS A WISE MAN WHO FIRST SAID "WAR IS HELL".
